How to multitrack record a Soundcraft Signature MTK

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Short answer. Plug the mixer's USB-B socket into a computer and record at 44.1 or 48 kHz. The Signature 12 MTK sends 14 channels and the 22 MTK sends 24. Each input channel arrives on the USB channel with its own number, and the main mix is on the last two. There is nothing to patch and nothing to switch. A Mac needs no driver; Windows needs Soundcraft's driver. Soundcraft says an iPad works with a camera adapter; we haven't tested one yet. The mixer can't record by itself: it has no card slot or USB drive recorder. Both models are discontinued.

Quick start

  1. Check the name says MTK. The Signature 16 and 22 without MTK send only 2 channels over USB. (Only 2 channels?)
  2. Connect the USB-B socket to the computer with a USB-A to USB-B cable. On a Mac, no driver is needed. On Windows, install Soundcraft's driver first. (Ways to record)
  3. Set your recording app to 44.1 or 48 kHz. Higher rates don't work. (Recording settings)
  4. Turn on recording for USB 1-12 (12 MTK) or 1-22 (22 MTK), one track per input channel. The map is fixed. (USB routing)
  5. Set each channel's gain knob before the show. The gain is in the recording. The EQ and the fader are not, and on the 22 MTK the mute isn't either. (Tap points)
  6. Record a 30 s test and play it back before the show.

Every other mixer is in the mixer recording guides. Words you may not know are in the glossary. Facts come from Soundcraft's documents, listed in Sources. Some facts come from a manual that covers only the 22 MTK, and those lines say so.

Ways to record a Signature MTK

To a computer over USB

Plug the square USB-B socket into the computer. Then record in a DAW. A DAW is a recording app for computers, such as Reaper, Logic or Ableton Live.

  • 12 MTK: 14 channels to the computer, 12 back.
  • 22 MTK: 24 channels to the computer, 22 back.
  • Sample rate: 44.1 or 48 kHz. Soundcraft: "higher sample rates are not compatible with the Signature series Multi-track consoles."
  • Bit depth: up to 24-bit. The Recording Guide says "up to 48khz, 24-bit". The 22 MTK spec lists 16-bit or 24-bit.
  • Connection: "a standard USB 2.0 connection". The mixer's socket is USB-B, so you need a USB-A to USB-B cable for most computers.
  • Class compliant: Soundcraft calls it "a USB class compliant ASIO audio interface". Class compliant means a Mac or iPad can use it without a driver. Windows still needs Soundcraft's driver.
  • Mac: no driver. The Mac's built-in sound system (Core Audio) handles it.
  • Windows: install the Soundcraft Multichannel USB Audio Driver V3.20, from the product page.

With no computer: not possible

The Signature MTK has no onboard recorder. There is no card slot and no USB drive recorder.

  • The 22 MTK has a second USB socket, a USB-A one next to the PHANTOM POWER switch. It is for power only. The manual: "Not for data."
  • To record, you need a computer, or an iPad (see below).

To an iPhone, iPad or Mac with an app

  • A Mac works like any computer above, with no driver.
  • iPad: Soundcraft says the USB port works with "an iPad (using a Camera Connectivity Kit)". That is Apple's camera adapter.
  • iPhone: Soundcraft doesn't name it.

We haven't tested either one yet. The details are in Mac, iPad and iPhone below.

Signature MTK recording settings

On the mixer, there is nothing to set. You choose everything in your recording app or driver.

  • Sample rate: 44.1 or 48 kHz, set in your recording app.
  • Bit depth: 24-bit is the most the mixer sends. Set it in your recording app.
  • USB channel count: fixed: 14 on the 12 MTK, 24 on the 22 MTK. There is no setting for fewer.
  • File format: your recording app decides.
  • Clock: Soundcraft's documents mention no word clock or clock setting (a way to lock to outside gear).

On Windows, match two driver settings. Soundcraft's driver has a control panel with a streaming mode and a buffer size (how much audio the computer collects before it passes it on). Set them as a pair:

  • Reliable with 1024 samples: Soundcraft says this is enough for most recording, and "the audio will be clean".
  • Low Latency with 128 samples: for a smaller delay, if you listen through the computer.
  • Don't mix them up. Soundcraft: "Reliable" with 64 samples "would result in distorted audio in your recording". The control panel shows a warning when the two don't match.

A Mac needs no driver, so it has no control panel. Set the buffer in your recording app.

Only 2 channels? Check that the mixer says MTK

The Signature 16 and 22 look much like the MTK models, but they send only 2 channels over USB. The manual: "The Signature 16 and 22 consoles have 2-track USB input and output functionality." Their USB SEND switch picks the main mix or Aux 1-2.

  • Only the 12 MTK and 22 MTK send every input.
  • On a 12 MTK or 22 MTK, check that your recording app has every input turned on. Soundcraft's Reaper steps turn on inputs 1-14 on the 12 MTK and 1-24 on the 22 MTK.
  • On Windows, check that the Soundcraft driver is installed and picked in your app.

Signature MTK USB routing

There is nothing to set. Every input channel always goes to the USB channel with its own number.

  • 12 MTK: USB 1-12 are input channels 1-12. USB 13-14 are the Master L/R (the main mix).
  • 22 MTK: USB 1-22 are input channels 1-22. USB 23-24 are the Master L/R.

Good to know:

  • Stereo channels use two USB channels. The left side goes to the odd number and the right side to the even number. On a channel with a mic input, such as 9/10 on the 12 MTK, the mic and the left jack go to USB 9, and the right jack to USB 10.
  • The main mix is taken after the faders. So keep the main fader at a healthy level, or that pair records quietly.
  • The mute button doesn't stop a channel's recording on the 22 MTK, says its manual. On the 12 MTK we expect the same, because the recording is taken before the EQ (our reading).
  • No reordering: you can't choose a source for a USB channel on the mixer.
  • Aux mixes and groups: no Soundcraft document puts them on USB. Only the input channels and the Master L/R reach it (our reading).

Signature MTK playback for virtual soundcheck

A virtual soundcheck plays a recorded show back through the mixer's channels, so you can set the mix with no band on stage. On the Signature MTK, each channel has a USB RTN button for this (USB return: audio coming back from the computer).

  1. In your recording app, send each track out on the USB channel with the same number as its input. Track 1 goes to output 1, track 2 to output 2, and so on.
  2. Turn off record on every track before you press play. Soundcraft asks for this so you don't record over the show.
  3. Press USB RTN on each channel you want to play back. On the 22 MTK, its red light comes on.
  4. Press play.

What USB RTN does:

  • It replaces the input. The playback goes through the channel's EQ, fader and sends like a live input. On the 22 MTK, the manual says it comes in just after the gain knob and before the low-cut filter (HPF, a filter that cuts low rumble).
  • The gain knob doesn't change the playback on the 22 MTK (our reading of its manual's "post-gain").
  • The mixer keeps sending to the computer while USB RTN is on. You can use this to add computer effects to a channel.

For music between sets, Soundcraft suggests the stereo channel 11/12 on the 12 MTK, or 21/22 on the 22 MTK. Interval mute (the master button that mutes everything else between sets) leaves that channel playing. On a Mac:

  1. Open Audio MIDI Setup.
  2. Right-click the Soundcraft device and choose Use this device for sound output.
  3. Choose Configure Speakers and set left and right to 11 and 12 (21 and 22 on the 22 MTK).
  4. Press USB RTN on that channel.

Signature MTK tap points

Set each channel's gain before you record. The gain knob changes the recording. The EQ and the fader don't.

The tap point is the place in each channel where the recording is taken: the raw input, or later, after the EQ or the fader. Which one to pick, and why, is in Pre or post fader. On the Signature MTK:

  • Which to pick: there is nothing to pick. The tap is fixed for every input channel.
  • Where it is: after the gain knob, before the EQ and the fader. Soundcraft: "Console channels always send their post-gain, pre-EQ signal to their respective USB channel."
  • Gain is in the recording. The mixer is analog, so the preamp gain sets the recorded level directly. The manual gives a gain range of 10 dB to 60 dB for the 22 MTK.
  • Low-cut filter (HPF): the 22 MTK manual puts the recording point before it, so the filter is not in the recording (our reading). The 12 MTK isn't covered by that manual.
  • Limiter: the 12 MTK has limiters on 2 inputs and the 22 MTK on 8, says Soundcraft's product page (a limiter stops sudden peaks). Soundcraft doesn't say whether they are in the recording.
  • The main mix on the last two USB channels is post-fader.

Signature MTK on Mac, iPad and iPhone

  • Mac: no driver.
    • Soundcraft: "MAC computers do not require these drivers as the Signature MTK USB audio interface uses AppleĀ® Core Audio drivers."
    • Soundcraft lists Mac OS "10.7.x Lion through 10.11.x El Capitan" only. The mixers are discontinued, so no newer list will come. We expect current macOS to work, because Macs still use Core Audio for this (our reading).
  • iPad: Soundcraft says it works with a camera adapter ("Camera Connectivity Kit"), but it's not tested yet by us.
  • iPhone: Soundcraft doesn't name it, and we haven't tested one yet.
  • Cable: the mixer's socket is USB-B. From a USB-C iPad or iPhone, a USB-C to USB-B cable is the simplest way to try it (our advice, not Soundcraft's).
  • Power: the 22 MTK's USB-A socket can charge a phone (500 mA) but can't carry audio. For a long show, use a camera adapter with a power input (our advice).
  • Windows: install the Soundcraft Multichannel USB Audio Driver V3.20.

ShowRecorder (the app this site makes) records every USB Channel from any class-compliant mixer (one that needs no extra driver on a Mac, iPhone or iPad). Soundcraft calls the Signature MTK's USB interface class compliant, so it should work. We haven't tested it with a Signature MTK yet. There is no Mixer Link for the Signature MTK. Mixer Link, which reads channel names and colors, works only on the XR18/MR18 and X32/M32. If you record a Signature MTK with it, we'd like to hear how it goes.

Download on the App Store

Runs on a USB-C iPhone (iPhone 15 or later) on iOS 26, or a USB-C iPad on iPadOS 26. Mac: join the TestFlight beta.

Your mixer not listed, or not tested? Ask us

Sources

Soundcraft documents:

Frequently asked questions

Can I record a Soundcraft Signature MTK to an iPhone or iPad?

An iPad, yes, says Soundcraft: the USB port works with "an iPad (using a Camera Connectivity Kit)". Soundcraft doesn't name the iPhone. We haven't tested either one with a Signature MTK yet.

How many channels does a Signature MTK send over USB?

The Signature 12 MTK sends 14 channels to the computer and takes 12 back. The 22 MTK sends 24 and takes 22. Both run at 44.1 or 48 kHz, up to 24-bit, over USB 2.0.

Why does my Signature mixer show only 2 channels over USB?

Check that its name ends in MTK. The Signature 16 and 22 without MTK have only 2-track USB: the main mix or Aux 1-2. Only the 12 MTK and 22 MTK send every input.

Can the Signature MTK record without a computer?

No. It has no card slot or USB drive recorder. The USB-A socket on the 22 MTK is for power only, "Not for data". You need a computer or an iPad on its USB-B port.

Which USB channel is each input on the Signature MTK?

The map is fixed. Input channel 1 is USB 1, input 2 is USB 2, and so on. On a stereo channel, left is the odd number and right the even one. The Master L/R mix is on the last two USB channels: 13-14 on the 12 MTK, 23-24 on the 22 MTK.

Are Signature MTK recordings pre or post fader?

Pre-fader. Soundcraft: input channels "ALWAYS send their post-gain, pre-EQ signal" to USB. The gain knob changes the recording. The EQ and the fader don't, and on the 22 MTK the mute doesn't either. Only the Master L/R pair is post-fader.

How do I play a Signature MTK recording back for a virtual soundcheck?

Send each track out of the computer on the USB channel with the same number as its input. Then press the USB RTN button on each channel. The USB audio then replaces that channel's input (on the 22 MTK, just after the gain knob). Turn off record on your tracks before you press play.